hi, i'm rafael camargo
i make computers do things
apparently
i spend a lot of time around React, Next.js, and the edges between product and platform, but the stack is usually just the starting point. what i really care about is making things scale without becoming slow, fragile, confusing, or painful to work on
i'm at my best in small, highly collaborative teams that move fast and ship frequently. i build software that stays clear as it grows, fast where it matters, and polished enough to feel effortless
if you look closely enough, though, you'll see that i get paid to add, change, or preferably remove text from some files
have you tried explaining this to grandpa?recently written
i spend a lot of my time building things for developers, then a little more building things for myself. the two overlap more than that makes it sound. something i learn at work might become a talk because explaining it usually shows me what i missed. a small idea or stupid joke might turn into a project for no better reason than wanting to know whether i can make it work
attention map
the attention map is a temporary record of where that time went over the last month, at least while i was sitting at a computer. it cannot tell the difference between a productive afternoon and several hours spent making the wrong thing work, but the hours count all the same. when i'm not making something myself, though, i'm usually reading, listening, watching, or keeping track of things other people made that i don't want to lose
things that stayed

The Motorcycle Diaries, 1993
rewatching the movie moved me enough to pick up the book and spend more time with the original story. i'm only a chapter in, but what i've read has already made me excited to keep goingcurrently reading
Ronroco, 1998
i already knew Gustavo Santaolalla's music through soundtracks like The Last of Us. his work on The Motorcycle Diaries is beautiful too, and this album gives me more of what i love about those scores. an outstanding record
You Can See Everything, 2026
one of the best documentaries i've ever seen. until about halfway through, i was convinced i was watching a scripted movie with actors and everything, simply because i couldn't believe what was happening
The Odyssey, 2026
a beautiful movie. really, really well shot, to the point that i'd call the cinematography a masterpiece. i'm less convinced by the way it tells the story: it sometimes feels like it's holding my hand and explaining more than it needs to. mostly a nit, because the movie is still great. i watched it on 70mm film at an IMAX in San Francisco, which was a great experience altogether
The Motorcycle Diaries, 2004
a classic from one of my favorite Brazilian directors, and one of my parents' favorite movies. i watched it a few times as a child, and coming back to it years later moved me a lot. the story is beautiful, interesting, and compelling, with an outstanding soundtrack
In the Mood for Love, 2000
i love the scenery and the way the shots are composed, right down to the people and what they're wearing. the soundtrack is just as beautiful, and as much a part of what i love here as the images. an absolutely tragic masterpiece, and currently at the top of my Wong Kar-wai ranking
on my side of the screen, it is 00:00, and Florianópolis is keeping the weather to itself for a moment.
you're roughly from Florianópolis and reading this at . neither number is especially useful, but here they are. this place has been years in the making and still refuses to be finished.
it holds work, experiments, stories, other people's fingerprints, and a few things that don't entirely belong anywhere else. not everything needs to. anyways, i hope you enjoy :))
since you read all the way down here, you might as well leave a little proof you were here in the guestbook